Wonderful” is scheduled to be released March 24, but the rapper has already dropped a handful of tracks that are set to be featured on the album over the past few weeks. Chance The RapperĪction Bronson’s new record “Mr. It’s no wonder the intro to “All Day” recalls the intro to “ Monster,” one of Kanye’s finest collaborative works, while combining with the sentiments of “ Black Skinhead” and “ New Slaves,” his most recent hits. With vocal contributions from Theophilus London, Allan Kingdom and the Beatles’ Paul McCartney, it is clear Kanye believes that to make the best work, you must surround yourself with all modes of greatness. As he’s grown as an artist, he’s taken on an increasing number and variety of collaborators. With the continued evolution of West’s sound, he has continued to mature. He’s abrasive, the production is brash and he confronts those issues on “Yeezus” that have not gone away in the time between. This is the most naturally West has progressed from “Yeezus” since the “ God Level” excerpt that scored Adidas’s World Cup spots. In five minutes of skittering bombardment, West channels the unrestrained aggression found across “Yeezus” and harnesses it to respond to a string of racist remarks that sound so poignant he has no doubt heard them all thrown in his direction. Following up the delicate, heart-wrenching “ Only One,” in which West’s mother speaks through him to the granddaughter she was never able to meet, and his feature on the playful, pop-oriented, Rihanna showcase “ FourFiveSecond,” Kanye has unveiled the studio version of “All Day.”
Kanye’s latest track resituates the artist after the announcement that his new album will be a surprise, and the subsequent announcements as to the title, album cover and songs on that surprise album. Theophilus London, Allan Kingdom, and Paul McCartney
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